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An actor appearing in an alcove on an unfinished set in CPT's Gordon Square Theatre delivers each message. Another is from a bubbly girlfriend, calling about trying on dresses for prom. She has to remember to turn in the proper paperwork for an upcoming dental surgery, one in a seemingly endless succession of operations to repair the skin and teeth and bone blown apart by a shotgun blast.

"I thought a fight wasn't worth it," she says.At a school dance, Chloe says, he refused to take pictures because he didn't like what she was wearing."It was embarrassing—my family and friends were there, and I didn't know what to say," she shares. " After that Chloe did "whatever he said" in order to avoid arguing.Afterward, Orozco, who had accompanied the playwright to the meeting, cried from frustration. Rivas wasn't out to exploit the violence of the crime or to mine that story for its salacious details or operating-room gore. We need to talk about sexual and domestic violence in the open, Rivas said - "and not just in the Latino community." There aren't many plays that deal with the subject, at least not set in America: The Pulitzer Prize-winning "Ruined" dealt with the rape and sexual abuse of women in the war-torn Democratic Republic of Congo.The classic "Death and the Maiden" features a woman taking vengeance on a sadistic captor for her torture and rape in an unnamed Latin America country.

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